The first full day of sustainable building material tours got off to a rocky start. I awoke to discover that my bank and auto insurance company hadn’t been playing well together for the past three weeks. As a result, I was on the road, with a rental car, and without auto insurance. I never [...]
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  by aleida, on April 19th, 2010 Image courtesy of Interstyle web site “This movement is all about collaboration.” So said Tammy Schwolsky, CEO of Residential Energy Assessment Services, Inc. (REAS), while giving us a sneak peek at her ZENERGY House the day before its grand opening (we covered that event here). Kevin had asked her what single aspect had surprised her the most during the two-year house renovation project, and without hesitation she said that it was how everyone really needed to work together to accomplish truly sustainable results. We encounter that sentiment quite often in our conversations with artists, designers, fabricators, and all the other professions whose practitioners are actively working in the sustainability movement. Yet of everyone we’ve talked to and worked with, few individuals embody that sentiment better than Robyn Palmen, Architectural Sales Manager at Interstyle Ceramic & Glass. Several years ago, when we started looking for recycled glass tiles, our knowledge of that entire category was rather limited. We were very much still learning what questions to ask manufacturers about their products to determine whether or not they would support our pursuit of sustainable strategies. We found Interstyle right at that time, and from the onset Robyn was welcoming of our inquiries, enthusiastic about keeping us informed about new developments, and mindful to check in with us often to make sure we were well stocked with samples and product details. I realize that you may be reading this and thinking, “What’s the big deal? That’s her job.” And all that may be trivial, but I often found that, in reaching out to other companies, I usually hit a brick wall: messages were never returned and e-mails went unanswered; or if I did manage to speak with someone, I would either get vague answers or be promised information that later would not be delivered. A few months ago I wrote a little about an experiment that Interstyle did for us (read that post here). It was Robyn who took our design specs and got that sample through their shop, all before we ever specified any of their tiles. Now, this post is not about Robyn specifically, but I find it difficult to speak of Interstyle without mentioning her because, to us, her approachability is a reflection of the company, their values, and their integrity in the sustainability movement. And when we combine that with the incredibly beautiful products that they design and manufacture, we must admit that we are huge fans – we just love what we see. Insterstyle Ceramic & Glass is a family-owned company based in Burnaby, British Columbia, Canada. It was founded in 1977 by Ernesto and Georgia Hauner. The Brazilian husband and wife team had once ran Mobilinea, a modern furniture company. Their emigration to Canada had forced them to leave that company behind. Once in British Columbia, they decided to delve into the world of ceramic tile and, thus, continue their entrepreneurial proclivity in their new home. Read more stories of sustainability: Interstyle Ceramic & Glass by kevin, on April 8th, 2010
In 2004, on a busy corner in Venice, CA, an old Hudson auto repair garage built in 1923 was converted to an art gallery. Abbot Kinney Boulevard, between Venice and Pacific, is a ten block long collection of trendy restaurants, custom jewelry shops, book stores, clothing stores, and consignment shops. Every medium-size U.S. city has a similarly gentrified stretch. The garage was located at the southeastern end of that stretch at the corner of Venice and Abbot Kinney. Others in the community may not have given much notice to yet another gallery opening in an already artsy neighborhood. However, it was the first time the garage had been used for anything other than auto repair since it had been built. The new tenant and planned space were different, yet not in a way immediately obvious, especially to that tenant. epOxybOx (intentional spelling) was an art gallery dedicated to presenting green art and the work of fine artists using green materials or media. That idea may have been several years ahead of the curve, but that’s not what set it apart. At the time, no one could have predicted what it would become and how it would evolve. When Deborah Guyer Greene started epOxybOx, she wasn’t fully aware of the path it would take. In fact, her new venture began on a bit of a lark. She was art director for the Foliage Theater Project and ran the Shakespeare Probation Program where she taught theater to violent offenders between 14 and 19 years old. One day, while searching for a large wall surface for a mural painting, she stumbled on the shuttered garage. She knew as soon as she saw the place she had to do something with it. During a recent interview, she referred to it as divine intervention. “It’s a terrible way to make business decisions,” she warns. Without a written business plan and before securing investment capital, Deborah signed a lease and formed epOxybOx. It quickly became a social hub, a community gathering place, an event center, and a place to party. Event and opening audiences went from small crowds to large throngs. While converting garage to gallery, Deborah knew she wanted to use environmentally favorable building materials, but finding them was far more difficult than she expected. That struggle planted a seed in her mind. Two years later she joined forces with Sasha King to form epOxyGreen. Their idea was that green materials should be easier to find and affordable to purchase. At first they carved out 500 square feet in the garage lube room, but the new business was an instant hit and required additional space. As the showroom grew, the gallery shrank. It eventually took over all 1,500 square feet. by kevin, on April 5th, 2010
On July 27, 1976 members of the American Legion gathered at the Bellevue Strattford Hotel in Philadelphia, PA to celebrate the American Bicentennial. Within two days, veterans were falling ill with an unidentified ailment with symptoms similar to pneumonia. By the end of the event, more than 220 attendees had been treated and 34 eventually died. A six month investigation by the U.S. Centers for Disease Control and Prevention finally uncovered the culprit – a bacteria breeding in a hotel cooling tower. I grew up in New Jersey less than 60 miles from Philadelphia. I vividly recall my excitement for the 1976 American Freedom Train and the Bicentennial summer, along with my fear over what would later be named Legionnaires Disease. There was great debate at my school about whether a scheduled field trip to a Philadelphia museum would be canceled. My mother tried to reassure me that it wasn’t as bad as it seemed, but I knew something was wrong. This incident also had a profound effect on Carol Baumgartel, founder of American Clay. During a recent interview conducted in the LEED Platinum certified home of a good friend she told me how it forever altered her thinking and initiated a heightened sensitivity to the presence of toxic substances commonly found in the average indoor environment. In 1999, Carol’s oldest son Croft developed skin reactions, headaches, and respiratory conditions from prolonged exposure to caustic chemicals he used with his fine interior finishing business. Around the same time, a colleague introduced him to a European clay plaster product that was free of the potential toxins affecting his health. Although it was an improvement, he thought he could make it better. He enlisted Carol, an interior designer with a fine arts degree in ceramics, to research the product and determine its composition. With her understanding of clays and aggregates and his engineering background they were able to reverse engineer a comparable product. We should not underestimate the potency of mixing maternal instinct and entrepreneurial spirit. In my interviews with product manufacturers, I’m often told how underlying considerations for future generations influence business decisions. When I raise this issue with Carol it brings her to tears. It’s easy to see how deep her passion runs for merging her business strengths with efforts that contribute positively. Regard for others, even people you don’t know or will never meet, is an essential ingredient of sustainability. by kevin, on March 24th, 2010
During our time in Phoenix AZ for the 2009 Greenbuild Expo we spent some time with Kirei USA Marketing Coordinator Teresa Cooney. Our conversation with her became one of our first in the stories of sustainability series (posted here). Back in January we did a day trip to San Diego for a US Green Building Council San Diego chapter GreenMeet event and were able to spend some time with Kirei USA founder and CEO John Stein at his Solana Beach office. One thing that strikes you right away when arriving is how casual and laid back the entire neighborhood is. Probably in part due to the proximity to the ocean, but Kirei USA is located in an interesting warehouse building on the edge of town filled with artists and other cutting edge businesses. It has a very alternative lifestyle communal vibe to it.
Enter the front door at John’s office and you are immediately met with the tools from one of his competing passions – surfing. Immediately to the left is a rack of wet suits and boards ready to be used at a moments notice. In fact, John tells us that it’s not uncommon for he or someone else at the office to go surfing every day. The space is much smaller than we we expect, and we’re told that’s a common reaction. Although Kirei Board has become a very visible player in the sustainable building materials market, it doesn’t require a huge staff to maintain the operation. John and his crew are actually a small team who occupy the mezzanine while a friend who owns Empowered Energy Solutions uses the ground floor of their warehouse space. The office layout is very casual, with few walls, it’s open, primarily lit with daylight from a number of well placed skylights, and samples are everywhere you look. by aleida, on March 22nd, 2010
Our tour of Vetrazzo’s Richmond, CA manufacturing facility (reviewed here) introduced us to more than just a fascinating industrial process. We also learned the story behind the product from Karen Righthand, VP of Marketing, and John Sabol, VP of Manufacturing. It all started in the mid-90s on the campus of the [...] by aleida, on March 19th, 2010
It is rare that we have the opportunity to travel to Florida, so when we were there late last month, we took advantage of our short time in Miami and reached out to Jennifer Ryan at Coverings Etc for a tour of the company’s facilities and showroom. We have long known about [...] by aleida, on March 17th, 2010
Two-hundred years ago, about 80% of the U.S. population lived and worked on farms. Today, that same percentage of the population lives in cities. The urbanization process left a large number of farmhouses, barns, and other rural structures abandoned to the elements, and for at least the last four decades, there has [...] by aleida, on March 11th, 2010
At the Los Angeles edition of Go Green Expo in late January, we learned of a Japanese wall covering just recently launched in the United States. Not long thereafter, Kevin and I were welcomed into the Orange, CA offices of Shikoku International Corp., the company that designed and still produces the product, [...] by kevin, on March 8th, 2010
Our eighth class was our second field trip, this time to the Santa Monica showroom of Steelcase. My first experience with Steelcase dates back only five years. I was attending the ASID (American Society of Interior Designers) Interiors 05 conference in Nashville TN and Steelcase was offering attendees a special deal on [...] |
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